Design, feminismo & território: vozes ativistas caririenses.
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Abstract
A presente pesquisa investiga as intervenções entre o campo do design, a perspectiva de decolonialidade e politização e os movimentos feministas do Cariri cearense. Ao considerar a vinculação do design às dimensões cosmológicas, intrínsecas à sociedade, à política e à cultura. Contudo considerando a historicidade da conceituação e profissionalização da área mediante as hegemonias patriarcais-racistas-colonialistas, assim como, a distanciação ideológica e metodológica do design aos saberes e necessidades dos múltiplos corpos-territórios afro-latino-americanos. A partir disso a pesquisa fundamenta-se nas conceituações propostas por Ahmed Ansari e Bibiana Serpa para propor uma politização do design que dialogue com saberes-fazeres ancestrais e resistências locais, à luz do feminismo afro-latino-americano. O objetivo geral consiste em investigar possibilidades de interlocução entre o design e a luta feminista do Cariri cearense, buscando compreender como o campo do design pode potencializar as práticas e reivindicações dos movimentos feministas da região. Metodologicamente, a pesquisa estrutura-se mediante proposições interdisciplinares e qualitativas, estabelecendo um diálogo com três ativistas da Frente de Mulheres do Cariri: Veronica Isidorio, Raquel Kariri e Nívia Uchôa. A partir das feministas, busca-se compreender as articulações do movimento feminista Frente de Mulheres do Cariri, como também, através delas, propor incorporações decoloniais e políticas a um design articulado e situado aos corpos-territórios caririenses. Conclui-se que ao incorporar a decolonialidade ao campo do design, proporciona a criação como ferramenta viabilizadora e potencializadora das pautas feministas, bem como, a contribuição para a valorização dos saberes, manualidades e oralidades do Cariri cearense.
Abstract in another language
Esta investigación explora las intersecciones entre el campo del diseño, la perspectiva de la decolonialidad y la politización, y los movimientos feministas de la región de Cariri, en Ceará. Analiza la conexión del diseño con las dimensiones cosmológicas intrínsecas a la sociedad, la política y la cultura. Asimismo, considera la historicidad de la conceptualización y profesionalización del área a través de hegemonías patriarcales, racistas y colonialistas, así como el distanciamiento ideológico y metodológico del diseño respecto del conocimiento y las necesidades de los diversos cuerpos y territorios afro-latinoamericanos. Con base en esto, la investigación se fundamenta en las conceptualizaciones propuestas por Ahmed Ansari y Bibiana Serpa para proponer una politización del diseño que dialogue con el conocimiento y las prácticas ancestrales y las resistencias locales, desde la perspectiva del feminismo afro-latinoamericano. El objetivo general es investigar las posibilidades de diálogo entre el diseño y la lucha feminista en la región de Cariri, en Ceará, buscando comprender cómo el campo del diseño puede potenciar las prácticas y demandas de los movimientos feministas en la región. Metodológicamente, la investigación se estructura mediante propuestas interdisciplinarias y cualitativas, estableciendo un diálogo con tres activistas del Frente de Mujeres Cariri: Verónica Isidorio, Raquel Kariri y Nívia Uchôa. A través de estas feministas, la investigación busca comprender las articulaciones del movimiento feminista del Frente de Mujeres Cariri y, a través de ellas, proponer incorporaciones decoloniales y políticas en un diseño articulado y situado dentro de los cuerpos-territorios Cariri. Concluye que la incorporación de la decolonialidad al campo del diseño proporciona la creación como una herramienta que posibilita y empodera las agendas feministas, además de contribuir a la valorización del saber, las artesanías y las tradiciones orales de la región Cariri de Ceará.
This research investigates the intersections between the field of design, the perspective of decoloniality and politicization, and the feminist movements of the Cariri region of Ceará, Brazil. It considers the connection of design to cosmological dimensions intrinsic to society, politics, and culture. However, it also considers the historicity of the conceptualization and professionalization of the field within the context of patriarchal-racist-colonialist hegemonies, as well as the ideological and methodological distance between design and the knowledge and needs of the multiple Afro-Latin American bodies and territories. Based on this, the research is grounded in the conceptualizations proposed by Ahmed Ansari and Bibiana Serpa to propose a politicization of design that engages with ancestral knowledge and practices and local resistances, in light of Afro-Latin American feminism. The overall objective is to investigate possibilities for dialogue between design and the feminist struggle in the Cariri region of Ceará, seeking to understand how the field of design can enhance the practices and demands of the region's feminist movements. Methodologically, the research is structured through interdisciplinary and qualitative propositions, establishing a dialogue with three activists from the Cariri Women's Front: Veronica Isidorio, Raquel Kariri, and Nívia Uchôa. Through these feminists, the research seeks to understand the articulations of the Cariri Women's Front feminist movement, and also, through them, to propose decolonial and political incorporations into a design articulated and situated within the Cariri bodies and territories. It concludes that incorporating decoloniality into the field of design provides creation as a tool that enables and empowers feminist agendas, as well as contributing to the valorization of the knowledge, crafts, and oral traditions of the Cariri region of Ceará.
This research investigates the intersections between the field of design, the perspective of decoloniality and politicization, and the feminist movements of the Cariri region of Ceará, Brazil. It considers the connection of design to cosmological dimensions intrinsic to society, politics, and culture. However, it also considers the historicity of the conceptualization and professionalization of the field within the context of patriarchal-racist-colonialist hegemonies, as well as the ideological and methodological distance between design and the knowledge and needs of the multiple Afro-Latin American bodies and territories. Based on this, the research is grounded in the conceptualizations proposed by Ahmed Ansari and Bibiana Serpa to propose a politicization of design that engages with ancestral knowledge and practices and local resistances, in light of Afro-Latin American feminism. The overall objective is to investigate possibilities for dialogue between design and the feminist struggle in the Cariri region of Ceará, seeking to understand how the field of design can enhance the practices and demands of the region's feminist movements. Methodologically, the research is structured through interdisciplinary and qualitative propositions, establishing a dialogue with three activists from the Cariri Women's Front: Veronica Isidorio, Raquel Kariri, and Nívia Uchôa. Through these feminists, the research seeks to understand the articulations of the Cariri Women's Front feminist movement, and also, through them, to propose decolonial and political incorporations into a design articulated and situated within the Cariri bodies and territories. It concludes that incorporating decoloniality into the field of design provides creation as a tool that enables and empowers feminist agendas, as well as contributing to the valorization of the knowledge, crafts, and oral traditions of the Cariri region of Ceará.
Keywords
design decolonial, feminismo afro-latino-americano, corpo-território
Área do conhecimento
Linguística, Letras e Artes
Citation
Araújo de Sousa, Raquel. Design, feminismo & território: vozes ativistas caririenses. 2026. Trabalho de Conclusão de Curso (Bacharelado em Design) - Universidade Federal do Cariri, Juazeiro do Norte, 2026.